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| Hannah's paintings are created using a mixed media of plasters, acrylics and emulsions and sometimes copper wire. |
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Interested in the intimate and the personal, Emma paints intensely private portraits – clandestine moments that are captured and made public. |
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Karakatsanis speaks about something he knows very well, trying to keep the balance between the description and the conceptual disposition to put forward views about the urban landscape. |
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| I love the stark contrasts of using black charcoal on white paper with the application of wax which both preserves and adds another dimension of colour and translucency. |
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Eva believes that the artist should not just represent reality but correct it. The internal structure of the paintings, their architecture and harmony, all add to bring about a balanced sum. |
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The ‘Ode to Vermeer’ & ‘Carrington’ artworks constitute an act of approximation of a descriptive representation – energy subjected by the need to represent that which we see. |
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| Frixos produces work of exceptional beauty and stillness. The form of each work is revealed to the artist through a gradual process of layering where the internal logic of the piece unfolds... |
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The sacred garden and the association of Aphrodite, love or fertility with flowers and fruit is a subject that I have been concerned with for some time. |
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Although my artwork appears abstract, nothing is random, except the wet colour, the lines dances composing abstract figures reminding the viewers familiar scenes... |
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| Simon Turner’s paintings are an imaginary response to the vast, three-dimensional and largely unexplored spaces which form the oceans and seas of our planet. |
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The presence of figures in the landscape and their relationship to it is suggested through these forms that have no material substance of their own. |
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